Coming soon: My upcoming book Do What You Fear Most: The History of the Velvet Underground (available in May 2026 on Omnibus Press) is by far the most comprehensive book on the Velvet Underground. The 800-page narrative biography covers the group's history with both thorough detail and critical insight. Drawing on more than 100 interviews and exhaustive research through documents and recordings rarely or never accessed, it unearths stories that have seldom been told, and eyewitness accounts that have seldom seen print, from figures ranging from band members to managers, producers, record executives, journalists, concert promoters, and fans. It incorporates recent first-hand research conducted at the Lou Reed Archive and Andy Warhol Archive

Out now: I wrote all of the historical essays and picture captions for the new Taschen book San Francisco: Portrait of a City, which tells the history of San Francisco with several hundred photos from 1850 through the present. I also did some of the photo research for the book, which was published in March 2022.

In Ugly Things: Issue #49 (Winter 2018) of the (mostly) 1960s rock-centered magazine Ugly Things has my lengthy interviews with original Manfred Mann singer Paul Jones and Manfred Mann bassist/guitarist Tom McGuinness. Issue #44 (Spring 2017) has my similarly lengthy interview with Dean Torrence of Jan & Dean. Issue #42 (Summer 2016) has my longinterview with original Yardbirds bassist (and, through mid-1966, musical director) Paul Samwell-Smith. Issue #38 (Fall/Winter 2014) has my 16-page interview with Kinks guitarist Dave Davies. The article also includes an extensive sidebar of information about the Kinks' 1960s career that I unearthed on my visit to the Rock and Roll Hall of Fame Library and Archives in spring 2014.

Also in Ugly Things, issue #31 (Spring 2011) and issue #32 (Fall/Winter 2011) have my mammoth (30,000-word) two-part interview with Billy Harrison, guitarist for the great mid-1960s band Them, Van Morrison's first group. Issue #25 has my huge (30-page) story on the Music Machine, one of the greatest garage-psychedelic groups of the 1960s, and the group that had more depth and quality to their original repertoire than perhaps any other '60s band who are known primarily for one hit single ("Talk Talk," in the Music Machine's case). The article is based around lengthy interviews with two original members (bassist Keith Olsen and guitarist Mark Landon) who have rarely spoken about their experiences in the group, as well as two members of the second Music Machine lineup  (keyboardist Harry Garfield and guitarist Alan Wisdom) who have never before discussed their stint in the band.

Issue #23 (Summer 2005) has my similarly lengthy (20-page) story on the Belfast Gypsies. Including ex-members of Them, they were one of the finest overlooked bands of the British Invasion, their sole 1966 album produced by the legendary Kim Fowley. This is the first comprehensive history of this mysterious group ever to appear, the twisted stranger-than-fiction saga drawn from extensive interviews with Belfast Gypsies guitarist Ken McLeod, who consulted his original diaries from the mid-'60s to reconstruct the group's career. Excerpts from my interview with Kim Fowley about the Belfast Gypsies also appear in the article; for the full interview, click here.

In Record Collector: The April and May 2013 issues of the British monthly magazine Record Collector have my two-part article on the most interesting rare San Francisco Bay Area rock records of the 1960s. The September 2014 issue has my story on recently discovered 1969-1971 Bob Dylan acetates. The November 2017 issue has my five-page article on Dion's mid-1960s folk-rock phase, based on a recent first-hand interview with Dion himself. The December 2017 issue has my story on Television guitarist Richard Lloyd, whom I interviewed about his new memoir. The June 2018 issue had my 10,000-word story on the Beatles' The White Album, in honor of the 50th anniversary of the record's release in late 1968. The May 2019 issue has my 10,000-word story on the Beatles and the Rolling Stones in 1969.

The March 2011 issue of Record Collector has my lengthy article on the recently discovered Tim Buckley demos, from late 1965 and mid-1966, that were issued on the bonus disc on Rhino Handmade's deluxe edition of his self-titled debut album. I interviewed Larry Beckett (frequent Buckley songwriting collaborator, and drummer on the 1965 demos), Jim Fielder (bassist on the 1965 demos), and Elektra Records president Jac Holzman for the piece.

On-line: I was interviewed on-line, taking questions from both conference hosts and readers, about Won't Get Fooled Again: The Who from Lifehouse to Quadrophenia from June 23 to July 7 on The Inkwell, the on-line conference that's part of the WELL website. To read the discussion, click on Richie Unterberger, "Won't Get Fooled Again."

For my other interviews about my books on the Inkwell, click on Richie Unterberger, White Light/White Heat (from May-June 2009); Richie Unterberger, "The Unreleased Beatles: Music and Film" (from November 2006); Richie Unterberger: "Eight Miles High" (from September-October 2003); and Richie Unterberger, "Turn! Turn! Turn!" (from September-October 2002).

Elsewhere, you can read Derk Richardson's review "Turn! Turn! Turn!" by in the San Francisco Bay Guardian, the Bay Area's top weekly paper. Also, there is a transcript of my July 17, 2002 interview on KPFA on "Dead to the World" in Berkeley, CA discussing Turn! Turn! Turn! on the website of the show's host, David Gans.

On the best of 2004 lists: Eight Miles High was chosen as #3 on Record Collector magazine's list of the Top Ten books of 2004.

On the best of 2007 lists: The Unreleased Beatles: Music and Film won a 2007 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research in the "Best Discography" division of the "Best Research in Recorded Rock Music" category.

Turn! Turn! Turn! influences Johnny Cash?: From the November 2004 MOJO cover story on Johnny Cash, where producer Rick Rubin discusses the last album Johnny Cash recorded, American V: A Hundred Highways:

"Rubin, meanwhile, had been discovering a new fascination with early '60s American folk music. 'I had just read the book Turn! Turn! Turn! [by MOJO's own Richie Unterberger] and I started getting very excited about a bunch of people like Tim Hardin, Joan Baez. I sent Johnny some of these songs. Whether he liked the song or not, it would always spark his memory and he'd say, "That made me think of this other song, and I like this one better." One example of that was the song "Four Strong Winds." Johnny said he remembered the version by Ian and Sylvia."

Author Sylvie Simmons goes on to write:

"I sat and watched Cash record 'Four Strong Winds' in his bedroom in Hendersonville -- a beautiful, vulnerable version. He also recorded Tom Paxton's 'Can't Help But Wonder Where I'm Bound.'"

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